Mara Page 3

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And introducing… MARA! This is where the truth starts to shine through, the influence of of everything, DMT, Exploitation cinema, and, of course the artists that influence me, and this is where all that merges into the real me.

Early on, Berni Wrightson had a huge influence on me, and in many ways, this page was a tribute to his beautiful mad scientist laboratories, only mine is more organic, and I wanted to get away from Wrightson’s Gustave Dore obsession to remain true to my stylistic preferences. But that’s always the way with the things that influence me, once they are filtered through me, they end up looking little like the source from which I took inspiration.

…And this was also all merging with my love of research. I wanted this image to have the feel of an opium den. For me Mara is very much a “Beauty and the Beast” or “Cinderella” story, in that I am excited by the vision of her beauty surrounded by the foul and beastly, whether that foul and beastly presence be a place or an entity. Plus, at this point in the story, Mara has to be at rock bottom… or at the very least is traveling in that direction. I also have a fascination for things of the past, so a good old opium den setting was far more interesting to me than a rave.

Funny, but the truth is, my fascination with the opium den setting goes back to a fantastic old penny arcade machine I saw in San Francisco at the Musee Mecanique, I was lucky enough to find a picture of the very machine that fired my imagination… wish this was a video and we could watch it move.

I’d like to note also the “DMT toad” in the upper left. Now here is where I have to be totally straight, the entheogenic drug Mara is on is NOT actually DMT, let alone 5-MeO DMT, but a FANTASY version of DMT. Below I have included a photo of a DMT toad… the DMT is NOT activated by licking the toads, but by extracting the fluid from the sacks on the toads.

I’ve never actually had DMT from the toad, but since this is a fantasy, that seems irrelevant. The toad was more picturesque.

At this point I’d like to point out that Mara’s world isn’t so much a future world of any particular time, Mara’s world is another dimension, an alternate reality, and its logic runs on the logic of that reality, as dreams run on dream reality and fairy tales run on fairy tale reality, and Exploitation films run on Exploitation reality.

And, last but not least, to help me make this dream come true, to help bring these visions and fantasies to light, become a patron of the arts: https://www.patreon.com/barefootjustine

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