Tag Archives: comics

Mara Page 8

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OK, group, so here’s another case where I have to openly talk about the evil world of “DRUGS!” Ooh… sounds so sensational when we say it that way… something BIG pharma, politicians and exploitation documentary makers (and NOT the divine type of exploitation of the cinema) know all too well. Rather than referring to marijuana as a plant medicine and DMT and Ayahuasca as a plant teacher, we use the word “drugs” to shut down dialog and vilify… but enough of that rant. This page was partially inspired by the one (of 15 or so) DMT trips that went bad, though I get more specific on that later. In the trip, the floor under my bare feet became quite menacing, so here I mixed that with a scene from the original Hans Christian Andersen story “The Little Mermaid.” Note how Mara’s feet are enjoying trodding upon mushrooms, that soon turn into vile polyps, then eyeballs.

Below is the passage from “The Little Mermaid,” which seems to me to emphasize if not somewhat eroticize her bare breasts.

“Beyond this stood her house, in the centre of a strange forest, in which all the trees and flowers were polypi, half animals and half plants; they looked like serpents with a hundred heads growing out of the ground. The branches were long slimy arms, with fingers like flexible worms, moving limb after limb from the root to the top. All that could be reached in the sea they seized upon, and held fast, so that it never escaped from their clutches. The little mermaid was so alarmed at what she saw, that she stood still, and her heart beat with fear, and she was very nearly turning back; but she thought of the prince, and of the human soul for which she longed, and her courage returned. She fastened her long flowing hair round her head, so that the polypi might not seize hold of it. She laid her hands together across her bosom, and then she darted forward as a fish shoots through the water, between the supple arms and fingers of the ugly polypi, which were stretched out on each side of her.”

Edmund Dulac Little Mermaid

Edmund Dulac Little Mermaid

Were these hallucinations, the physical reality of this space? Does it matter, isn’t all maya, all illusion? Anything that is real to us in a moment is the reality we know.

While in the panels below I reached for a balance between the old world I loved (Gollum from the Rankin Bass Hobbit), and what is to me the new world of stylistic abstraction and the raw looseness I am chasing. First with the old world I know, I recall in the Hobbit cartoon just how magnificent the anatomy of the Gollum was… those fabulous hands!

To be honest, I have to confess that the Rankin Bass Hobbit had more of an influence on me, my mind, my art, the velocity of my life, than anything up to that time, and perhaps anything after, potentially including the earth-shattering influence of Star Wars. What that Hobbit did for me was first introduce me to fantasy of the highest order! And, more importantly, if you look carefully at the backgrounds and the lines, the entire design of the movie was based on the work of an artist who, many years down the road, was to become the biggest influence on my art and style, Arthur Rackham. Seriously, look at Rackham, then watch the Hobbit and tell me you don’t see it!

And, though I say somewhat new territory for me, the abstraction and stylization, as is still my path, it is based on the work of a master. Though I was not looking at this image, Klimt was very much in mind.

Gustav Klimt
Judith I, 1901

But what is coming on the next page is not merely a return to the reality of erotic texture that was always a part of my Mara work, but most definitely pushed many steps further than I had been capable of all those years ago… but that, will have to wait until we get to page 9.

If you love what you are seeing, please note that I am creating these pages with a return of NOTHING, so I am seeking patrons. Monthly patronage would really help this project come along, and my patrons get all manner of cool exclusives: https://www.patreon.com/barefootjustine

Mara Page 5

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This page is, perhaps, the simplest one to break down regards visual influence, yet probably the most complicated to break down spiritually and metaphorically.

While looking over “Idyl” and “I’m Age” by Jeffrey Catherine Jones, I was taken by the extreme shift in line quality as Jeff transitioned from brush to pen. Though this page was influenced by Jeff’s work with a pen, I will ink it with a brush. Below I have included 2 examples, one from “Idyl” inked with a brush, and another from “I’m Age’ inked with a pen.

Notice what a distinct difference in line quality, Jeff having chosen to change not only the over all style of the work, but to fully engage in the possibilities of each tool, perhaps even exaggerating the qualities of each tool to their extremes.

I’ve lost a lot of people, and I don’t know why this is so, but the loss of Jeff Jones haunts me like no other loss. It has cut deep. Knowing and learning from Jeff was a profound experience, and I doubt I’ll ever have the likes of it again. All I hope to do is, one day when the right student comes along, pass it all on to him, her or all of them.

Back to me and my work, to tell the truth, I am intimidated by Mara page 5 page, while the pencils came out with shocking ease, I fear the inks may not, that I might become stiff… only time will tell. It will be my goal to ink with the same wise hand Jeff Jones had.

The real meat of this page comes from a trilogy of dreams I had in which spirit guides, 3 different animals, came to me on 3 different nights of prophetic dreams. Rather than reiterating all that here, if you are interested, I have written extensively about those dreams. As Mara is a mythologized autobiography, I will be incorporating all 3 of those dreams into the story.

The first dream, about the Panther, you can read about by following the link below:

https://barefootjustine.com/2017/07/28/the-three-dreams-dream-1-the-panther/

The appearance of this panther has since become an important aspect of my internal and spiritual life. Once, when hounded by a territorial dog, I manifested the panther in my eyes, allowed it to possess my body, and frightened the dog with the panther’s stare, so much so that it literally slinked away with its tail between its legs. The Panther woman in me is strong, and I should call on her more often.

Prior to this dream I had been obsessed with The Panther Woman from “Island Of Lost Souls,” the fabulous film starring Charles Laughton based on “The Island Of Dr. Moreau.” The Panther Woman in that film is a character I relate to at the deepest level.

Barefoot, beautiful, vulnerable and wild…

In Defense Of Eros & Fantasy (parts 1 & 2)

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Here they are, by student request, parts 1 and 2 of my lecture on the value of erotic, exploitive and fantastic images. In a culture where R. Crumb is seen as a threat to “safe space,” it’s time to start speaking up. Below are my thoughts on eroticism, covering everything from the mystical to the Exploitation Cinema, comics, quotes all a lot of thoughts.

No, they don’t make movies for us anymore, the sorts of fantasies I love have fallen out of favor, but I’m going to keep them going, and do a little talking, too.

If you want to support my own erotic work, check this out: https://www.patreon.com/barefootjustine

Mara Page 4

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To help me make this dream come true, to help bring these visions and fantasies to light, become a patron of the arts: https://www.patreon.com/barefootjustine

By this point I knew, without a doubt, that this entire book was going to be based on the work that most influenced me, the work from the Warren Publications, “1984,” “Creepy,” “Eerie,” and even “Vampirella,” and artists like Alex Nino, Frank Thorne, Esteban Maroto, and especially Jose Pepe Gonzalez. Though to be honest, I have only recently become obsessed with Pepe’s work. See below, Jose Pepe Gonzalez inking with markers (a rarity).

I became obsessed with Jose Pepe Gonzalez after viewing the brilliant “Love Strip” documentaries about him and his work, find those on Youtube, they are brilliant. I fell in love with his odd mix of easy looseness and tight perfection, and through the film, his tragic personality, innocence, humor and a childishness that contributed to his downfall. Flawed artists, it seems, are attracted to other flawed artists.

And as I said before, I do a lot of research, not just into the art I love, but into anatomy, animals, how fat works, how wrinkles work, all these things influence me deeply. I am a research junkie, and fear I sometimes use it as a crutch.

I think the things that have most deeply influenced me have been Exploitation films, so I will be talking a lot about Exploitation films and directors as these blogs ramble on. To tell the truth, those films probably had as much if not more influence over me than any comics or art, especially the work of directors like Jess Franco and Jean Rollin, both of whom created images so audacious that the have continued to haunt me, for example, the below image from Jean Rollin’s “Fascination.”

Jean Rollin "Fascination"

Jean Rollin “Fascination”

But perhaps the imagery that has most haunted my erotic imagination comes from the great Master himself… Libertine, Sadeian, and genius… Jess Franco!

His absolute fearlessness and willingness to explore his darkest deepest fantasies, and on the lowest of budgets, remains an inspiration. Jess was a visionary, a hack, a madman and a master. He loved to show his heroines in all their glamorous glory one moment, and in their greasy bug-bit misery in the next. He explored any fetish that crossed his mind, yet remained always true to his nature as a voyeur. His shots are so consistently voyeuristic, so often we view his films as if we were a pervert hiding behind the plants in the apartment, or peeping through a mirror or window. Come to think of it, I need to play more with those visual themes as this project progresses past the first issue.

I think you can see in the bedraggled beauty below, just how significant an influence Jess Franco has had on me.



And, last but not least, to help me make this dream come true, to help bring these visions and fantasies to light, become a patron of the arts:
https://www.patreon.com/barefootjustine

To take Justine’s classes: https://learn.sawcomics.org/collections/justine?q=

Mara Page 3

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Become Justine’s patron: https://www.patreon.com/barefootjustine

And introducing… MARA! This is where the truth starts to shine through, the influence of of everything, DMT, Exploitation cinema, and, of course the artists that influence me, and this is where all that merges into the real me.

Early on, Berni Wrightson had a huge influence on me, and in many ways, this page was a tribute to his beautiful mad scientist laboratories, only mine is more organic, and I wanted to get away from Wrightson’s Gustave Dore obsession to remain true to my stylistic preferences. But that’s always the way with the things that influence me, once they are filtered through me, they end up looking little like the source from which I took inspiration.

…And this was also all merging with my love of research. I wanted this image to have the feel of an opium den. For me Mara is very much a “Beauty and the Beast” or “Cinderella” story, in that I am excited by the vision of her beauty surrounded by the foul and beastly, whether that foul and beastly presence be a place or an entity. Plus, at this point in the story, Mara has to be at rock bottom… or at the very least is traveling in that direction. I also have a fascination for things of the past, so a good old opium den setting was far more interesting to me than a rave.

Funny, but the truth is, my fascination with the opium den setting goes back to a fantastic old penny arcade machine I saw in San Francisco at the Musee Mecanique, I was lucky enough to find a picture of the very machine that fired my imagination… wish this was a video and we could watch it move.

I’d like to note also the “DMT toad” in the upper left. Now here is where I have to be totally straight, the entheogenic drug Mara is on is NOT actually DMT, let alone 5-MeO DMT, but a FANTASY version of DMT. Below I have included a photo of a DMT toad… the DMT is NOT activated by licking the toads, but by extracting the fluid from the sacks on the toads.

I’ve never actually had DMT from the toad, but since this is a fantasy, that seems irrelevant. The toad was more picturesque.

At this point I’d like to point out that Mara’s world isn’t so much a future world of any particular time, Mara’s world is another dimension, an alternate reality, and its logic runs on the logic of that reality, as dreams run on dream reality and fairy tales run on fairy tale reality, and Exploitation films run on Exploitation reality.

And, last but not least, to help me make this dream come true, to help bring these visions and fantasies to light, become a patron of the arts: https://www.patreon.com/barefootjustine

To take Justine’s classes: https://learn.sawcomics.org/collections/justine?q=